This Sunday I went to the cinema and saw a shitload of movies again.
Pathé, a national chain of movie theatres, organizes a film festival twice a year. At this festival you'll see 5 arthouse movies in a row.
The movie selection is spot on, I always go home with a good feeling and a few movie titles I can recommend to my friends.
I don't really have the time right now to give all the movies I saw a review like I did after the film festival in Rotterdam, but I'll give you the titles and a IMDB synopsis and the advice to go and see them all if you can (especially The Sapphires or Stoker)!
Oh yeah, I tried out a new colour for my dipdye. This one's called Midnight Blue, again by La Riche Directions. This brand has such beautiful colours!
1968 was the year that changed the world. And for four young Aboriginal sisters from a remote mission this is the year that would change their lives forever. Around the globe, there was protest and revolution in the streets. Indigenous Australians finally secured the right to vote. There were drugs and the shock of a brutal assassination. And there was Vietnam. The sisters, Cynthia, Gail, Julie and Kay are discovered by Dave, a talent scout with a kind heart, very little rhythm but a great knowledge of soul music. Billed as Australia's answer to 'The Supremes', Dave secures the sisters their first true gig, and flies them to Vietnam to sing for the American troops. Based on a true story, THE SAPPHIRES is a triumphant celebration of youthful emotion, family and music.
After a classical string quartet's 25 years of success, Peter, the cellist and oldest member, decides that he must retire when he learns he has Parkinson's Disease. For the others, that announcement proves a catalyst for letting their hidden resentments come to the surface while the married members' daughter has disruptive desires of her own. All this threatens to tear the group apart even as they are famous for playing Beethoven's String Quartet No. 14, opus 131, a piece that is played non-stop no matter how life interferes.
A mysterious and mythical motorcycle racer, Luke, (Ryan Gosling) drives out of a traveling carnival globe of death and whizzes through the backstreets of Schenectady, New York, desperately trying to connect with a former lover, Romina, (Eva Mendes) who recently and secretly gave birth to the stunt rider's son. In an attempt to provide for his new family, Luke quits the carnival life and commits a series of bank robberies aided by his superior riding ability. The stakes rise as Luke is put on a collision course with an ambitious police officer, Avery Cross, (Bradley Cooper) looking to quickly move up the ranks in a police department riddled with corruption. The sweeping drama unfolds over fifteen years as the sins of the past haunt the present days lives of two high school boys wrestling with the legacy they've inherited. The only refuge is found in the place beyond the pines.
The Norwegian explorer Thor Heyerdahl crossed the Pacific ocean in a balsa wood raft in 1947, together with five men, to prove that South Americans already back in pre-Columbian times could have crossed the sea and settle on Polynesian islands. After financing the trips with loans and donations they set off on an epic 101 days long trip across 8000 kilometers, while the world was waiting for the result of the trip. The film tells about the origin of the idea, the preparations and the events on the trip. Kon-Tiki was named after the Inca sun god, Viracocha, and "Kon-Tiki" is an old name for this god. Heyerdahl filmed the expedition, which later became the Acaemy award winning documentary in 1951, and wrote a book about the expedition which was translated into 70 languages and sold more than 50 millions copies around the world. Heyerdahl believed that people from South America could have settled Polynesia in pre-Columbian times, although most anthropologists now believe they did not.
India Stoker was not prepared to lose her father and best friend Richard in a tragic auto accident. The solitude of her woodsy family estate, the peace of her tranquil town, and the unspoken somberness of her home life are suddenly upended by not only this mysterious accident, but by the sudden arrival of her Uncle Charlie, whom she never knew existed. When Charlie moves in with her and her emotionally unstable mother Evie, India thinks the void left by her father's death is finally being filled by his closest bloodline. Soon after his arrival, India comes to suspect that this mysterious, charming man has ulterior motives. Yet instead of feeling outrage or horror, this friendless young woman becomes increasingly infatuated with him.